![]() Royally good day at the races! King Charles and Queen Camilla offer a wave to fans during procession at Ascot as they attend third day Sir Rod and Penny, who tied the knot in 2007, have two sons together - Alastair, 18, and Aiden, 12 - both of whom are currently enrolled in a school in Essex, while their mother has been working as a volunteer police officer in London for the past few years. ![]() This week, the singer, who was born in the UK, severed a major tie to California when he put his sprawling Beverly Hills home on the market for a whopping $70 million - and now sources have revealed that he has no plans to set up another family base in the city.Īccording to two well-placed insiders, Sir Rod has grown tired of what he sees as the 'toxic' culture in Los Angeles - where he feels that he has 'no privacy' - and has chosen to return full-time to his home in the UK to support his wife Penny and their sons, who no longer want to deal with the 'nuisance' of traveling back and forth. Sir Rod has made his Atlantic Crossing - and he has no plans for a return journey after deciding to quit his life in Los Angeles once and for all in order to settle down back in the UK, has learned. Other guests on the night included actress Ellie Bamber, Liam Gallagher's youngest son Gene, a shaggy-haired Liam Payne and socialite Emma Weymouth. Hard to miss: The veteran star looked appropriately smart in an extravagant gold and black striped suit, matched with a casually loose leopard print tie Joining him at the event, wife Penny, 52, turned heads in an ivory silk evening dress with a cinched waist - a look she teamed with strappy silver heels.Įvidently in high spirits, Sir Rod planted a kiss on Penny's cheek while posing for photographers, but the diminutive rocker appeared to be straining his neck to make contact with the statuesque model and photographer. Sir Rod teamed the bold look with a smart white dress shirt, while distinctive gold patterned slip-ons caught the eye as he made his way inside the Mayfair venue. The veteran star looked appropriately smart in an extravagant gold and black striped suit, matched with a casually loose leopard print tie. London born Sir Rod wants to stay close to his roots after growing tired of the southern California city's 'toxic culture' - and he was in his element while attending a 60th anniversary celebration for celebrated nightspot Annabel's in his home city. It comes after Sir Rod was in the mood to party as he stepped out with wife Penny Lancaster on Thursday evening, shortly after putting his Los Angeles mansion up for sale. 'I've also done a fantastic swing album with Jools Holland which is more Louis Prima than Frank Sinatra. 'I want to move on and I've always wanted to do The Great American Songbook live. pop, but with his renowned roguish charm more apparent than on the studio recordings and his trademark gravelly tones as delightfully world-weary as ever, it's an enjoyable, if inessential, addition to his surprisingly sparse live back catalog.All change: He is scheduled for two gigs at Edinburgh Castle this July but has admitted that it's time to bring the curtain down on his rock performances (pictured in March) Entirely ignoring the other three volumes ensures that this slim collection doesn't fully represent Stewart's love of mid-20th century U.S. ![]() ![]() charts for the first time in 25 years, 2004's third installment, Stardust, is represented here by Rodgers & Hart's torch song "Blue Moon," Nat King Cole's number one "For Sentimental Reasons," and one of the series' most recent tunes, Louis Armstrong's 1968 signature hit "What a Wonderful World," all of course minus their previous guest appearances from Eric Clapton, Stevie Wonder, and saxophonist Dave Koz, respectively. The record that returned him to the top of the U.S. Five make the cut from 2002's first volume, It Had to Be You, which, with the help of mogul Clive Davis, saw the Scottish veteran abandon his familiar pop/rock sound in favor of big-band swing, including a stripped-back piano-bar arrangement of Hal Kemp's "For All We Know," Joe Venuti & His Orchestra's jazz classic "Moonglow," and numbers penned by two of the period's legendary songwriting talents, the Gershwin brothers ("They Can't Take That Away from Me") and Cole Porter ("Every Time We Say Goodbye"). Celebrating the hugely successful series that has completely rejuvenated Rod Stewart's previously flagging career, The Great American Songbook: Live features eight performances of his most popular covers of 1930s-1940s standards. ![]()
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